The Floating World

The Floating World

The Ghosts of the Taira Attack Yoshitsune’s Ship in Daimotsu Bay

Utagawa Kuniyoshi · c. 1849–1851

What it is

Fleeing across Daimotsu Bay, Yoshitsune’s ship is set upon by the drowned dead of the Taira clan — the warrior Tomomori foremost, rising from the waves with the anchor that carried him down at Dan-no-ura.

Why it matters

Kuniyoshi fuses the great sea battle’s aftermath with the Noh play Funa Benkei: history’s losers return as weather, and only Benkei’s prayers, not swords, can answer them.

What to notice

The ghosts are printed in the colors of deep water, half-dissolved where they meet the waves — dead and sea share one substance; the living crew is the only warm color in the storm.

"The sea keeps what the war threw into it."

The record

Artist
Utagawa Kuniyoshi 歌川国芳 (1798–1861)
Date
c. 1849–1851
Medium
woodblock print; ink and color on paper
Source
The Metropolitan Museum of Art · JP1565

Impression note. The design turns on its cold palette: fine impressions keep the ghosts’ grey-blue pallor distinct from the black storm sea, and the spray across the three sheets prints as fine unbroken keyblock lacework. Impression variance is real — printings differ in wiping and fading — and choosing the finest openly held impression is the curatorial act.

Public domain; faithfully reproduced.

Bring it home

A triptych — sold as a three-panel set, priced below three singles.

Printed to order on EMA matte art paper, 200gsm.

More Utagawa Kuniyoshi

The road at your moment — Painted Earth’s ukiyo-e style pack.