The Floating World

Fifty-three Stations of the Tōkaidō (Hōeidō edition)

Nihonbashi: Morning Scene

日本橋 朝之景 · Nihonbashi, asa no kei

Utagawa Hiroshige · c. 1833–34

What it is

Dawn at Nihonbashi: a daimyō procession steps onto the bridge behind its spear-bearers while fishmongers scatter with the morning catch — the first sheet of the series and the first step of the three-hundred-mile road to Kyoto.

Why it matters

Nihonbashi was the zero-marker of Japan, the point from which every distance on every road was measured; Hiroshige opens here at first light, and the series that follows became the best-selling landscape set in the history of the medium.

What to notice

The spear tips crest the arc of the bridge before the marchers do — the procession announced by its silhouette; at left, the fish market that fed Edo is already at work.

Every road in Japan begins at this bridge. So does this one.

The record

Artist
Utagawa Hiroshige 歌川広重 (1797–1858)
Series
Fifty-three Stations of the Tōkaidō (Hōeidō edition)
Date
c. 1833–34
Publisher
Hōeidō (Takenouchi Magohachi)
Medium
woodblock print; ink and color on paper
Source
The Metropolitan Museum of Art · JP471
  • bokashi

Impression note. The dawn sky carries a hand-wiped bokashi band that differs with every printing; early and later editions also differ in the crowd at left, where the block was recut to add more townsfolk. Impression variance is real — printings differ in wiping and fading — and choosing the finest openly held impression is the curatorial act.

Public domain; faithfully reproduced.

Bring it home

Printed to order on EMA matte art paper, 200gsm.

From the same series

The road at your moment — Painted Earth’s ukiyo-e style pack.