The Floating World

Fifty-three Stations of the Tōkaidō (Hōeidō edition)

Hakone: The Lake

箱根 湖水図 · Hakone, kosui zu

Utagawa Hiroshige · c. 1833–34

What it is

The road’s hardest passage: a daimyō procession threads the Hakone pass as a line of tiny figures, jagged crags towering in bold faceted color above the deep blue of Lake Ashi, Fuji white and small beyond.

Why it matters

Hakone was the Tōkaidō’s most feared barrier — the steepest climb and the strictest checkpoint — and Hiroshige answers it with the boldest invention in the series, a mountain broken into planes of raw color a century before anyone called such seeing modern.

What to notice

The crags are pure invention — no outline holds them, only faceted patches of green, blue, ochre and rust; the procession is reduced to ant-small figures swallowed by the pass.

The mountain is crossed one small figure at a time.

The record

Artist
Utagawa Hiroshige 歌川広重 (1797–1858)
Series
Fifty-three Stations of the Tōkaidō (Hōeidō edition)
Date
c. 1833–34
Publisher
Hōeidō (Takenouchi Magohachi)
Medium
woodblock print; ink and color on paper
Source
The Metropolitan Museum of Art · JP481
  • bokashi

Impression note. The mountain’s faceted planes are printed as separated blocks of strong color, and their registration and depth of tone vary markedly between printings; fine impressions keep Lake Ashi a deep saturated blue against the white of Fuji. Impression variance is real — printings differ in wiping and fading — and choosing the finest openly held impression is the curatorial act.

Public domain; faithfully reproduced.

Bring it home

Printed to order on EMA matte art paper, 200gsm.

From the same series

The road at your moment — Painted Earth’s ukiyo-e style pack.