The Floating World

Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Groups of Mountain Climbers

諸人登山 · Shojin tozan

Katsushika Hokusai · c. 1830–32

What it is

Pilgrims crowd into a cave near the summit and climb the red slopes above it: here the series stands on the mountain instead of looking at it.

Why it matters

Fuji carried religious meaning long before Hokusai, and in the last of the ten added designs he shows the people who climbed it for that reason.

What to notice

There is no cone of Fuji anywhere on the sheet; the mountain is the ground the figures lean against.

Up close, the holy mountain is rock, weather and other people.

The record

Artist
Katsushika Hokusai 葛飾北斎 (1760–1849)
Series
Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Date
c. 1830–32
Publisher
Nishimuraya Yohachi (Eijudō)
Medium
woodblock print; ink and color on paper
Source
The Metropolitan Museum of Art · JP1322

Impression note. The series sold well and was printed in large numbers. The first sheets lean on the newly imported Prussian blue, outlines included; later printings add colours and soften the key block. This is the largest clean open impression of the design the Met holds. Impression variance is real — printings differ in wiping and fading — and choosing the finest openly held impression is the curatorial act.

Public domain; faithfully reproduced.

Bring it home

Printed to order on EMA matte art paper, 200gsm.

From the same series

The road at your moment — Painted Earth’s ukiyo-e style pack.