The Floating World

Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Cushion Pine at Aoyama

青山円座松 · Aoyama enza no matsu

Katsushika Hokusai · c. 1830–32

What it is

A great pine trained into a low, rounded mass fills the hillside at Aoyama in Edo, visitors climb past it, and Fuji stands white in the distance.

Why it matters

Hokusai lets a single garden tree outweigh the mountain completely, and the series is full of such reversals of scale.

What to notice

The pine is one dome of green and the mountain a small triangle of paper beside it; the two shapes answer each other across the sheet.

A city garden can hold a shape as large in the eye as a volcano.

The record

Artist
Katsushika Hokusai 葛飾北斎 (1760–1849)
Series
Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Date
c. 1830–32
Publisher
Nishimuraya Yohachi (Eijudō)
Medium
woodblock print; ink and color on paper
Source
The Metropolitan Museum of Art · JP28

Impression note. The series sold well and was printed in large numbers. The first sheets lean on the newly imported Prussian blue, outlines included; later printings add colours and soften the key block. This is the largest clean open impression of the design the Met holds. Impression variance is real — printings differ in wiping and fading — and choosing the finest openly held impression is the curatorial act.

Public domain; faithfully reproduced.

Bring it home

Printed to order on EMA matte art paper, 200gsm.

From the same series

The road at your moment — Painted Earth’s ukiyo-e style pack.