The Floating World

Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Umezawa Manor in Sagami Province

相州梅沢左 · Sōshū Umezawa-no-hidari

Katsushika Hokusai · c. 1830–32

What it is

Cranes stand and lift from the marsh at Umezawa while Mount Fuji rises in blue above two bands of cloud.

Why it matters

Fuji had been tied to the elixir of life since The Tale of the Bamboo Cutter, and Hokusai, in his seventies when he made this series, came back to the mountain forty-six times.

What to notice

The summit sits above the cloud rather than behind it, so the mountain belongs to the sky more than to the marsh where the birds are.

The quietest sheet in the series asks the least of its mountain and gets the most.

The record

Artist
Katsushika Hokusai 葛飾北斎 (1760–1849)
Series
Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Date
c. 1830–32
Publisher
Nishimuraya Yohachi (Eijudō)
Medium
woodblock print; ink and color on paper
Source
The Metropolitan Museum of Art · JP20

Impression note. The series sold well and was printed in large numbers. The first sheets lean on the newly imported Prussian blue, outlines included; later printings add colours and soften the key block. This is the largest clean open impression of the design the Met holds. Impression variance is real — printings differ in wiping and fading — and choosing the finest openly held impression is the curatorial act.

Public domain; faithfully reproduced.

Bring it home

Printed to order on EMA matte art paper, 200gsm.

From the same series

The road at your moment — Painted Earth’s ukiyo-e style pack.